The Fourth Watcher
A gripping and edgy thriller by Timothy Hallinan, a writer whose last novel "Kirkus Reviews" called "dark, often funny and ultimately enthralling." Hallinan, who has spent the last twenty-five years living on and off in Thailand, has a deep affection for his adopted part-time home and captures its paradoxical beauty and decay with admiration and verisimilitude.
The Writing Session
By Timothy Hallinan, author of The Fourth Watcher
Getting there:Write 500 words a day, five days a week, and in ten weeks you’ll have 25,000 words. That’s a quarter of a good-size novel. At that pace, even with the inevitable wrong turns and backtracks, you’ll be able to turn out a revised draft of your novel in a year.
Tuning in: Writing regularly and at some length also keeps the world of your novel open to you. Annie Dillard once said that writing a book is like taming a lion: the longer you stay out of the cage, the more dangerous it is to go back in. Working regularly keeps that lion under control.
Opening up: Regular writing also brings the world of your book into your nonwriting life — and vice-versa. You’ll find yourself thinking about the book even when you’re not writing. Everything you see or hear will have some sort of relationship to your story. You’ll find yourself asking, "Is this material or not?" "Is this what Judith would say in that scene?" Driving down the street, doing dishes, taking a shower (especially taking a shower) — you’ll have inspirations.
Turning on the sorter: There’s a little node in your brain called the reticular activating system. It’s a sorter: it flips through the hundreds of thousands of things you see, hear, read, and think every day, and it says, This is important or This is junk. And it calls the important things to your attention. The reticular activating system is why you can hear your name spoken across a noisy room, or why, once you’ve decided to buy a certain car, you suddenly see billboards and commercials for that car everywhere. Those things were always there, but the reticular activating system had been putting them in the junkpile.
The universe has a vast amount of material to offer you, free of charge, for your book. If you write regularly, you’ll recognize that material when it comes along. It could, ultimately, be the thing that either saves your book or takes it to a higher level.
And finally: Write regularly because it’s a privilege to be able to do so. Write regularly for the love of challenging your creative spirit to grow and flourish. Write regularly to experience the magic of a new world coming into being at the ends of your fingers. Write regularly to strengthen yourself against the despair of gruntwork, dead dialog, and bad pages. And most of all, write regularly in order to write better.
And remember, the session you decide to blow off today or tomorrow might be the most important session in the development of your book. Ain’t no way to know except to do the session.
ABOUT THE AUTHOR:
Timothy Hallinan is the author of The Fourth Watcher. He wrote songs and sang in a rock band while in college, and many of his songs were recorded by well-known artists including the platinum-selling group Bread. He began writing books while enjoying a successful career in the television industry. Over the past fourteen years he has been responsible for a number of well-reviewed novels and a nonfiction book on Charles Dickens. For years he has taught a course on "Finishing the Novel" with remarkable results – more than half his students complete their first novel and go on to a second, and several have been, or are about to be, published. Tim currently maintains a house in Santa Monica, California, and apartments in Bangkok, Thailand; and Phnom Penh, Cambodia. He is lucky enough to be married to Munyin Choy-Hallinan. For additional information on Timothy Hallinan visit www.timothyhallinan.com
By Timothy Hallinan, author of The Fourth Watcher
Getting there:Write 500 words a day, five days a week, and in ten weeks you’ll have 25,000 words. That’s a quarter of a good-size novel. At that pace, even with the inevitable wrong turns and backtracks, you’ll be able to turn out a revised draft of your novel in a year.
Tuning in: Writing regularly and at some length also keeps the world of your novel open to you. Annie Dillard once said that writing a book is like taming a lion: the longer you stay out of the cage, the more dangerous it is to go back in. Working regularly keeps that lion under control.
Opening up: Regular writing also brings the world of your book into your nonwriting life — and vice-versa. You’ll find yourself thinking about the book even when you’re not writing. Everything you see or hear will have some sort of relationship to your story. You’ll find yourself asking, "Is this material or not?" "Is this what Judith would say in that scene?" Driving down the street, doing dishes, taking a shower (especially taking a shower) — you’ll have inspirations.
Turning on the sorter: There’s a little node in your brain called the reticular activating system. It’s a sorter: it flips through the hundreds of thousands of things you see, hear, read, and think every day, and it says, This is important or This is junk. And it calls the important things to your attention. The reticular activating system is why you can hear your name spoken across a noisy room, or why, once you’ve decided to buy a certain car, you suddenly see billboards and commercials for that car everywhere. Those things were always there, but the reticular activating system had been putting them in the junkpile.
The universe has a vast amount of material to offer you, free of charge, for your book. If you write regularly, you’ll recognize that material when it comes along. It could, ultimately, be the thing that either saves your book or takes it to a higher level.
And finally: Write regularly because it’s a privilege to be able to do so. Write regularly for the love of challenging your creative spirit to grow and flourish. Write regularly to experience the magic of a new world coming into being at the ends of your fingers. Write regularly to strengthen yourself against the despair of gruntwork, dead dialog, and bad pages. And most of all, write regularly in order to write better.
And remember, the session you decide to blow off today or tomorrow might be the most important session in the development of your book. Ain’t no way to know except to do the session.
ABOUT THE AUTHOR:
Timothy Hallinan is the author of The Fourth Watcher. He wrote songs and sang in a rock band while in college, and many of his songs were recorded by well-known artists including the platinum-selling group Bread. He began writing books while enjoying a successful career in the television industry. Over the past fourteen years he has been responsible for a number of well-reviewed novels and a nonfiction book on Charles Dickens. For years he has taught a course on "Finishing the Novel" with remarkable results – more than half his students complete their first novel and go on to a second, and several have been, or are about to be, published. Tim currently maintains a house in Santa Monica, California, and apartments in Bangkok, Thailand; and Phnom Penh, Cambodia. He is lucky enough to be married to Munyin Choy-Hallinan. For additional information on Timothy Hallinan visit www.timothyhallinan.com

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