History of the Harlem Renaissance
The period between 1920 and 1930, saw a significant contribution by the African American community in literature, and is renowned as the Harlem renaissance. It was popularly referred to as the 'New Negro Movement'.
Nature and Characteristics of Harlem Renaissance
The community contributed to the four important genres of poetry, drama, fiction and essay writing. It was quite similar to the European renaissance, with music, films, theater, dance and drama becoming a regular activity for Harlem residents. It was not exactly a revolt, or a way to repel the racism against African Americans, but a movement to glorify and show the world, the intellectual capabilities of blacks. Alain Locke, who was a professor at Harvard University and the first African American Rhodes scholar, described this awakening as a 'spiritual emancipation' of the black community. It began as a series of literary discussions in the New York suburbs of Greenwich village and Harlem, gradually assuming an unprecedented character and reshaping African American heritage.
A wide range of cultural elements and art forms were showcased on a grand stage like the 'Apollo Theater', which became synonymous with black swing dancing and jazz. Harlem musicians and artists became a subject of great interest nationwide, even amongst the white community. New forms of blues and jazz music, the depiction of experiences of slavery and the folk dance of the blacks, institutionalized racism and its effects and the practice of catering to the likes and dislikes of the whites, were all highlighted in common themes. Jean Toomer, Claude McKay, Zora Neale Hurston, Langston Hughes and James Johnson were acclaimed authors who grew in importance nationally. Their works pertaining to production of fictional work, art, magazines and newspapers demanding equality and humanitarian rights became tremendously popular nationwide.
Sociological development took a new form, with a fresh wave of consciousness about the importance of racial integration among the blacks. Marcus Garvey initiated a new movement, 'Back to Africa', which encouraged the African descendants to return to their African homes. W.E.B Du Bois, a Pan-African civil rights activist and the author of an influential writing, 'The Souls of Black Folk', put forth the concept of 'twoness'. The concept made the black community rethink their twin status as Americans and Negroes, which were proving to be conflicting states of existence, according to him.
The Harlem Renaissance was successful in establishing black identity as an integral part of American history. The symbolism and actual effects of the event served as a big inspiration for blacks in future struggles for their rights, like the Civil Rights Movement of the 1950s and 1960s. It reinforced the stand of the black community and demonstrated to the world and the black community itself, what capabilities they had in store, waiting to be unleashed. This led to a united cultural identity which served as a conscious awakening for a united race among the black community.

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