Graphology at Home - Lesson 21: Draw Someone, B-D
How one draws a person reveals a great deal. Trait list B-D
B
• Body narcissism/egocentricity/immaturity: same sex figure unclothed and carefully rendered.
• Breaks in judgment/voyeurism (depending on area): transparencies.
C
• Castration fears or wishes: nose cut off (castration may be projected on opposite sex where nose is shaded).
• Change against spontaneous reaction to situation as symbolized by detail first depicted: change of detail in drawing.
• Character disorder such as anti-social personality or psychosis: deviant drawing with little evidence of anxiety.
• Chest fixation/voyeuristic tendency: V-neckline on male, female subject.
• Compensation for difficulty with interpersonal relations or masturbatory guilt: hands exaggerated.
• Compensation for felt inadequacy: massive shoulders on male (male subject).
• Compensation for felt weakness/guilt: large hands.
• Compensation for felt weakness/indecision: chin exaggerated.
• Compensation for inadequacy/indecision/fear of responsibility: chin emphasized.
• Compensatory fantasy aggrandizement: drawing that fills the page.
• Compliance/feeling of domination by others: puppet.
• Compulsive body image problem as in early schizophrenia: joints, fingers, and fingernails, carefully depicted.
• Compulsive/dependent/indecisive: elbows and joints stressed.
• Conception of self as dependent/helpless/insignificant: arms dangling at the sides, entreating facial expression, tiny same sex figure.
• Concern about sufficiency of intellect (brain damage, retardation)/ pride over intellect/intellectual aspirations (with possible grandiosity)/introspective of fantasy/preoccupied/somatic head symptoms: head enlarged.
• Conflict area: break in line, erasures, omissions, reinforcement, and shading.
• Conflict over interpersonal relations/possible thought disorder: head drawn last.
• Conflict relative to specific part of body: distortion of the particular part.
• Constricted erotic response/limited heterosexual experience/somatic sexual dysfunction: female characteristics under emphasized, female subject.
• Constricted/pedantic: minute detailing.
• Constriction/defensiveness/lack of assertion: rigid posture.
• Contemptuous attitude/tendency to think in terms of derisive social stereotypes: broad, flared or hooked nose.
• Coquettishness/seductiveness/self-display: long lashes.
• Decisive: uninterrupted straight lines.
• Dejection/feeling of guilt/lack of vitality: shoulders drooping.
• Denial or repression of physical drives/immaturity/regression: lower section of body omitted.
• Dependence on maternal figure: maternal figure rather than female sex object (male subject), male receiving something of value from female; torso of female upper half-emphasized (male subject).
• Dependency: chest emphasis, buckles, buttons, concave mouth, mid-line emphasis, navel, pockets.
• Dependency/desire for affection: overextended reaching arms.
• Dependency/feminine tendency/lack of assertion/emotional: circular strokes in formation of the body.
• Dependency/helplessness: fewer than five fingers.
• Dependency/immaturity/inadequacy and maternal dependence: buckle.
• Dependency/nutritional needs: long, weak arms.
• Dependent/oral-erotic: mouth markedly full, open or oval.
• Dependent/psychopath: pocket emphasis.
• Depersonalization/feeling of being controlled by outside forces: robot for male figure (male subject).
• Depressed/inadequate/withdrawn/schizophrenic: very faint line.
• Depressed state: acceptance of task to draw sketch with minimum protest, good initial performance, followed by obvious fatigue and discontinuance of task.
• Depression: narrow neck.
• Depression/discouragement: feet and legs drawn first.
• Desire to be woman/feminine identification: back of male figure to observer, male subject.
• Desire to escape from situation/fear/loneliness/mistrust: sitting on edge of chair.
• Difficulty in social contact/fear of aggressive impulses/passivity as defense against aggressive impulses: arms pressed to sides.
• Difficulty with interpersonal relations/masturbatory guilt: hands hidden.
• Discouragement/withdrawal: feet omitted.
• Disdain/refinement: trim eyebrows.
• Dissatisfaction with self: disguise (clown, etc.)
• Doubts about virility with compensatory virility striving/sexual inadequacy: beard, mustache, other facial hair (male subject-when the majority of the subject's acquaintances do not possess as such).
Joel Engel is the author of "Handwriting Analysis Self-Taught" (Penguin Books). Find more at http://careertest.ws and/or http://www.learngraphology.com
• Body narcissism/egocentricity/immaturity: same sex figure unclothed and carefully rendered.
• Breaks in judgment/voyeurism (depending on area): transparencies.
C
• Castration fears or wishes: nose cut off (castration may be projected on opposite sex where nose is shaded).
• Change against spontaneous reaction to situation as symbolized by detail first depicted: change of detail in drawing.
• Character disorder such as anti-social personality or psychosis: deviant drawing with little evidence of anxiety.
• Chest fixation/voyeuristic tendency: V-neckline on male, female subject.
• Compensation for difficulty with interpersonal relations or masturbatory guilt: hands exaggerated.
• Compensation for felt inadequacy: massive shoulders on male (male subject).
• Compensation for felt weakness/guilt: large hands.
• Compensation for felt weakness/indecision: chin exaggerated.
• Compensation for inadequacy/indecision/fear of responsibility: chin emphasized.
• Compensatory fantasy aggrandizement: drawing that fills the page.
• Compliance/feeling of domination by others: puppet.
• Compulsive body image problem as in early schizophrenia: joints, fingers, and fingernails, carefully depicted.
• Compulsive/dependent/indecisive: elbows and joints stressed.
• Conception of self as dependent/helpless/insignificant: arms dangling at the sides, entreating facial expression, tiny same sex figure.
• Concern about sufficiency of intellect (brain damage, retardation)/ pride over intellect/intellectual aspirations (with possible grandiosity)/introspective of fantasy/preoccupied/somatic head symptoms: head enlarged.
• Conflict area: break in line, erasures, omissions, reinforcement, and shading.
• Conflict over interpersonal relations/possible thought disorder: head drawn last.
• Conflict relative to specific part of body: distortion of the particular part.
• Constricted erotic response/limited heterosexual experience/somatic sexual dysfunction: female characteristics under emphasized, female subject.
• Constricted/pedantic: minute detailing.
• Constriction/defensiveness/lack of assertion: rigid posture.
• Contemptuous attitude/tendency to think in terms of derisive social stereotypes: broad, flared or hooked nose.
• Coquettishness/seductiveness/self-display: long lashes.
• Decisive: uninterrupted straight lines.
• Dejection/feeling of guilt/lack of vitality: shoulders drooping.
• Denial or repression of physical drives/immaturity/regression: lower section of body omitted.
• Dependence on maternal figure: maternal figure rather than female sex object (male subject), male receiving something of value from female; torso of female upper half-emphasized (male subject).
• Dependency: chest emphasis, buckles, buttons, concave mouth, mid-line emphasis, navel, pockets.
• Dependency/desire for affection: overextended reaching arms.
• Dependency/feminine tendency/lack of assertion/emotional: circular strokes in formation of the body.
• Dependency/helplessness: fewer than five fingers.
• Dependency/immaturity/inadequacy and maternal dependence: buckle.
• Dependency/nutritional needs: long, weak arms.
• Dependent/oral-erotic: mouth markedly full, open or oval.
• Dependent/psychopath: pocket emphasis.
• Depersonalization/feeling of being controlled by outside forces: robot for male figure (male subject).
• Depressed/inadequate/withdrawn/schizophrenic: very faint line.
• Depressed state: acceptance of task to draw sketch with minimum protest, good initial performance, followed by obvious fatigue and discontinuance of task.
• Depression: narrow neck.
• Depression/discouragement: feet and legs drawn first.
• Desire to be woman/feminine identification: back of male figure to observer, male subject.
• Desire to escape from situation/fear/loneliness/mistrust: sitting on edge of chair.
• Difficulty in social contact/fear of aggressive impulses/passivity as defense against aggressive impulses: arms pressed to sides.
• Difficulty with interpersonal relations/masturbatory guilt: hands hidden.
• Discouragement/withdrawal: feet omitted.
• Disdain/refinement: trim eyebrows.
• Dissatisfaction with self: disguise (clown, etc.)
• Doubts about virility with compensatory virility striving/sexual inadequacy: beard, mustache, other facial hair (male subject-when the majority of the subject's acquaintances do not possess as such).
Joel Engel is the author of "Handwriting Analysis Self-Taught" (Penguin Books). Find more at http://careertest.ws and/or http://www.learngraphology.com

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