Graphology at Home - Lesson 21 - Draw Someone E-G

E

Effeminacy: ankles, feet and wrists small; arms and legs tapering; curved lines on body of male; full lips on male; high heeled shoes; lashes (male figure).

Effeminacy/homo-erotic tendency/homosexual tendency: lashes on male.

Effeminacy/insecurity: feet small, male subject.

Effeminate/narcissistic/submissive: emphasis on circles in depicting body.

Egocentric/hysteria/immaturity/repression: eye as a circle (no pupil).

Egocentric/immature/over concern of material criteria for social status: clothing carefully rendered.

Egocentric/schizoid: body emphasis (under clothed).

Egotism/narcissism: doodling of subject's name.

Emotional control (rigid): stiff posture.

Emotional exhaustion/lack of drive/low energy: reclined or seated same sex figure.

Emotional fixation or wish to return to youth/immaturity: younger figure than subject.

Emphasis on possession and social prestige: clothing elaboration, grooming. Need for social approval and dominance: over clothed.

Evasion/guilt/lack of confidence/possible psychopath: hands behind back or in pockets.

Evasion of body problems: peanut man, snowman, and stick man.

Evasion of problems/reluctance to reveal self: resistance to drawing figures.

Evasiveness: figure of profile.

Exhibitionism/sexual preoccupation: earrings.

Exhibitionistic tendency/social accessibility/social communications/ social dependency: full-faced figure.

Expectation of aggression from environment or impaired self-esteem possible (may symbolize psychic trauma): facial scars on same sex figure.

Externalized aggression: hands emphasized, bushy eyebrows.

Externalized aggression/paranoia: eye emphasized.

Extroversion/need for support: left-to-right strokes.

F

Fantasy relative to "femininity": hat crease.

Feeling of body disorganization/maternal dependence/psycho-
sexual immaturity/schizoid/schizophrenic: joint and knuckle emphasis.

Feeling of decline associated with advancing age (shaded legs may be homosexual tendency): full body with shaded or thin legs.

Feeling of emasculation/anxiety or masculine inadequacy: area depicted as broken, cut, damaged or otherwise impaired.

Feelings of inadequacy or rejection/internalized hostility/self-contempt: cartoon figure, clown.

Feelings of inadequacy: small same sex figure, tiny drawing.

Feelings of masculine insufficiency: shoulders or other masculine details exaggerated.

Felt lack of masculinity and virility: hair white on male figure.

Felt lack of status/low self-esteem: disheveled, unkempt figure.

Felt lack of virility: balding male figure.

Felt subjection to strong environmental pressure or stress, with fear of psychosis: strong wind in scene of human figure drawing.

Female protest/feminine role rejection: drawing male first, female subject.

Female regarded as sexually rejecting: hand of female figure in pelvic area, male subject.

Feminine identification: emphasis on left side of figure.

Feminine identification dealt with by narcissism and obsessive-compulsive mechanism: hair parted in middle, head split.

Feminine identification with dominant mother: chest emphasis, female subject.

Feminine trait: rounded trunk.

Femininity: rounded lines in formation of body.

Forced amiability/inappropriate affection: clown-like mouth.

G

Guilt, strong wish to be castrated: armless figure of male, male subject.

Guilt (as theft or masturbation): shaded figures.

Guilt/depression/schizophrenia/withdrawal: arms omitted.

This concludes list E-G

Joel Engel is the author of "Handwriting Analysis Self-Taught" (Penguin Books)
http://careertest.ws http://www.learngraphology.com

If you would like to view the images to this article, please send a blank email to engraph@netvision.net.il