Music for Flute and Harp, Violin and Viola: Images. A Composer’s Journal Entries: March 14- March 19, 2007
Laurie Conrad is a pianist and composer living in Ithaca, NY. Some of her honors include: Who’s Who in American Music, The International Who’s Who in Music (Cambridge), The International Encyclopedia of Women Composers, Who’s Who in American Pianists, The Dictionary of International Biography and Marquis’ Who’s Who in America. For a full list of articles written by Conrad, please type her name in Buzzle's search feature.
Wednesday, March 14
9 p.m.
Finished copying out/cutting & pasting A Feather. Did little else all day & evening. Thirty five pages of score. M. comes home from a meeting soon - I hope I still have a human voice. I saw noone today; although I did say "hello" to the mailman at about 3 p.m.
Tomorrow I will make a few changes to Dance. I have decided to keep that Image a trio, for flute, harp & viola. It is thirty three pages of score. These three Images alone are almost a hundred pages of score, with three more Images to copy out: Elegie, The Fairies’ Banquet & Interlude. The remaining three are shorter, but altogether the score will be over a hundred pages. A concert in itself, although I have not timed them. The pieces are written to stand alone or in small groups of Images - the cycle does not have to be performed in its entirety. The cycle of six can be broken up, played either as a single Image - or as a small collection of them, placed on other concerts.
So many little notes. These pieces, these Images, were written in 2003, in January, February & March. All this work and Beauty because the harpist Myra Kovary stopped me in the gardens one summer day & asked me to write music for her ...
Friday, March 16
3:30 a.m.
Worked on Dance again tonight. Dinner with friends/snow. The roads plowed, paths shoveled. The snow continues to fall, large, fluffy flakes. The perfect night to write music.
Wrote words for a song. Tomorrow I will begin to copy out the main score of Dance, the revision is now finished.
Saturday, March 17
2:30 a.m.
Finished copying out the main score to Dance. I am pleased. Still snowing & very cold; below zero with wind chill. A magical layer of snow everywhere, the roads empty & fairly impassible in spite of the occasional snow plow coming through. Perfect silence.
Now I am half done with copying out the main score. Tomorrow I will write in the metronome markings to Dance & begin Interlude. Myra should be back from NYC soon. I would like her to look over these new scores.
Sunday, March 18
2:30 a.m.
Interlude is copied out. Only The Fairies’ Banquet & Elegie are left.
Monday, March 19
Trying to decide whether to leave A Fairies’ Banquet as a trio. As a composer, I would prefer adding a violin part, to double lines & give added depth. But I must first determine whether the violin part will be interesting enough for the violinist - as a performer I understand the anticipation of the first glance at a new score. And I do not want that first - or last- glance to be disappointing. I think I will leave this Image alone for some days & begin revising Elegie for this new combination of instruments. First I need to Xerox the original score in town, possibly tomorrow. For variety, I might leave some sections for just the harp & flute, or as a trio. The viola and violin could be a nice contrast in the B sections. Or I could leave three Images as trios. Decisions.
I need time to reflect on this.
Figaro Books and Recordings
Conrad's books and recordings are available on this site.
Conrad's books and recordings are available on this site.

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